https://smalleditions.nyc Small Editions Mon, 02 Feb 2026 18:56:51 +0000 https://smalleditions.nyc en https://smalleditions.nyc/workshops-overview Sun, 12 May 2024 00:15:39 +0000 Small Editions https://smalleditions.nyc/workshops-overview <img src="https://files.cargocollective.com/c1171819/logo.png"> Design Studio Publishing House Workshops About Cart Search <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart Overview Upcoming Previous Small Editions hosts educational workshops on different print and publishing-related topics throughout the year. Through our workshop program, we hope to share our expertise in book-making to a wider community outside of our client work. All workshops are held in-person at our studio, unless otherwise noted.We’ve also taught, lectured, and hosted workshops at institutions across North America and Europe, including Yale School of Art, Princeton University, and Pratt Institute, among others.&nbsp; Accessibility The entrance to our building has a ramp, and our studio—located on the 5th floor—can be reached by elevator. There is a gender neutral bathroom that is wheelchair accessible, but there is no railing. We have a small studio dog—please contact us for further allergen details! Financial Accessibility We price our workshops to account for facilitator time, equipment usage, and materials. Small Editions offers financial support to BIPOC (Black, Indigenous, and People of Color) individuals who face systemic barriers to accessing creative education and resources.We strongly encourage individuals from these communities to apply for a scholarship, as well as those who face other forms of marginalization. Scholarship applications can be found on individual workshop pages. Waitlist If a workshop you wish to join is fully booked, please email us at hello@smalleditions.nyc to be put on the waitlist in the event of any cancellations. Touring Workshops To supplement our in-studio programming, Small Editions also teaches, lectures, and hosts workshops across North America and Europe.Previous Workshops, Talks, Critiques: 2024 — Pratt University: Graphic Design Intensive (Lecture) 2024 — Yale School of Art: Paper and Ink (MFA Workshop) 2023 — Tokyo Art Book Fair: How to Book in Japan (Talk) 2023 — Tufts University: Artist Books Today (Visiting Artist) 2023 — The New School: Multimedia Publishing, Production &amp; Writing Lab (Guest Critic) 2023 — Colorama (Berlin): Artist Books from Concept to Dummy (Workshop) 2023 — Miss Read Berlin: How to Book in NY/Berlin (Talk) 2023 — Brooklyn Art Book Fair: ‘How to’ Publishing: A Community Conversation (Talk) 2020 — Seattle Art Book Fair: Makeready (Talk) Private Workshops Small Editions offers customized private workshops to design firms and corporate clients. Please email hello@smalleditions.nyc if you’re interested. © Small Editions 2025 Shipping Privacy Newsletter Contact FAQ Credits SHIPPING TERMS AND CONDITIONS GENERAL SHIPPING INFORMATIONWe ship worldwide using USPS and UPS.Small Editions will not be responsible for packages once they leave our studio. Lost or damaged packages must be filed as a dispute with the carrier. We recommend selecting UPS for all international orders.We take great care of our products and packaging to prevent all damage to the final product. Any damages during transit must be formally filed with the delivery company. We are not responsible for any delays caused by the carrier and will not process any refunds for late deliveries.All orders require at least 7 business days to be fulfilled.INTERNATIONAL ORDERS We recommend selecting UPS for all international orders. International customers may also be charged additional customs, duties, and import fees upon entry into the country, depending on the country's policies. These are the buyer's responsibility and cannot be estimated by Small Editions, so please consider this when placing international orders.RETURNS AND EXCHANGES These are often hand-bound publications — hand-collated, hand-stamped, and hand-assembled in our studio. They are irregular by nature. Small Editions does not offer returns or exchanges. https://smalleditions.nyc/workshops-upcoming Sun, 12 May 2024 00:15:32 +0000 Small Editions https://smalleditions.nyc/workshops-upcoming <img src="https://files.cargocollective.com/c1171819/logo.png"> Design Studio Publishing House Workshops About Cart Search <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart Overview Upcoming Previous Public workshops are on pause for Fall 2025. Sign up for our newsletter and be the first to know about upcoming workshops!&nbsp;&nbsp; © Small Editions 2025 Shipping Privacy Newsletter Contact FAQ Credits SHIPPING TERMS AND CONDITIONS GENERAL SHIPPING INFORMATIONWe ship worldwide using USPS and UPS.Small Editions will not be responsible for packages once they leave our studio. Lost or damaged packages must be filed as a dispute with the carrier. We recommend selecting UPS for all international orders.We take great care of our products and packaging to prevent all damage to the final product. Any damages during transit must be formally filed with the delivery company. We are not responsible for any delays caused by the carrier and will not process any refunds for late deliveries.All orders require at least 7 business days to be fulfilled.INTERNATIONAL ORDERS We recommend selecting UPS for all international orders. International customers may also be charged additional customs, duties, and import fees upon entry into the country, depending on the country's policies. These are the buyer's responsibility and cannot be estimated by Small Editions, so please consider this when placing international orders.RETURNS AND EXCHANGES These are often hand-bound publications — hand-collated, hand-stamped, and hand-assembled in our studio. They are irregular by nature. Small Editions does not offer returns or exchanges. https://smalleditions.nyc/workshops-previous Sun, 12 May 2024 00:15:17 +0000 Small Editions https://smalleditions.nyc/workshops-previous <img src="https://files.cargocollective.com/c1171819/logo.png"> Design Studio Publishing House Workshops About Cart Search <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart Overview Upcoming Previous FILE PREP FOR BOOK PRINTINGSmall EditionsAugust 16 INTRO TO FOIL STAMPINGSmall EditionsJuly 2025 PAPER AND INK: PAPER AS MATERIAL AND METAPHORPenumbra FoundationJune 2025 ARTISTS’ BOOKS: FROM CONCEPT TO DUMMYMay 2025 &nbsp; FILE PREP FOR BOOK PRINTING (ONLINE)March 2025 PAPER AND INKNovember 2024 INTRO TO FOIL STAMPINGOctober 2024&nbsp; FILE PREP FOR BOOK PRINTING August 2024ARTIST’S BOOKS: FROM CONCEPT TO DUMMYJuly 2024FOLD AND CONTENTJuly 2024PAPER AND INKMay 2024 Small Editions is a design studio based in occupied Lenapehoking (Brooklyn, New York). We offer services in graphic design, print consulting, and limited edition book binding. We also run an independent publishing imprint, where we collaborate with artists on several projects annually. © Small Editions 2025 Shipping Privacy Newsletter Contact FAQ Credits FREQUENTLY ASKED QUESTIONSGENERAL INQUIRIES1. What is the minimum run size?There is no minimum run size! We typically produce projects with run sizes in the 1-2000 unit range, and recommend that all offset printed projects are an edition size of 300 or above.2. What is the typical lead time?There are many variables that will affect your project's lead time. Our current minimum lead time for any project is 6 weeks, and we charge rush fees to make sure firm deadlines are met. We generally recommend planning 8-10 weeks for production of standard digital offset projects, and 3-6 months for standard offset projects. All other projects are subject to the availability of the bindery calendar.3. I’m not sure where to start with my project, and don’t know my project specifications yet — what is the best way to start a conversation?We offer consulting services on specialized projects to help guide you through the process. Some of the questions we recommend considering before your consultation is: Which details are most important for your project? Are you set on any particular materials, dimensions, or run sizes? What is the overall budget goal for this project? If you don’t have an overall budget, then what is your goal for the individual ‘per book’ price?4. Do you accept restoration projects?Unfortunately, we are unable to facilitate restoration or conservation projects at this time.5. Why is the ‘per book’ price higher on smaller run sizes?Since all of our projects are custom-made, there are initial project set up costs for each project. The ‘per book’ price drops as these costs are spread out across the run. Therefore, it will always be cheaper to do a larger edition of a project once, than to produce two smaller runs of the same project.6. Why does Small Editions ask for our ideal budget from the start?Starting out by discussing your ideal budget for the project allows us to make the best recommendations for your particular project! We want to help you make the most of your budget, and are happy to provide guidance on materials, binding methods, print methods, and finishing details that complement your design goals.7. Can I get samples from you?Since all of our projects are custom-made, we will create a sample card with curated options for your particular project. Sample cards are $15 each. We’ll be offering general sample books for sale soon.8. Can I stop by the studio or schedule an in-person meeting?At this time we are still limiting in person meetings in order to protect our team. You’re welcome to schedule a virtual consultation here.9. Once my project is ready, where can I collect them or have them shipped from?All projects can be collected from the studio located at 20 Grand Ave. #502 Brooklyn, NY 11205. All final shipping costs will be calculated from this location as well.10. What is the difference between your publishing and production programs?Our publishing program is not currently accepting applications. If you’d like to work with us, we recommend that you work with us through our production program.11. Where do I find more information about your publishing program?If you’d like to see the incredible artists we’ve worked with in the past, we recommend checking out our publishing page!PRE-PRESS, PRODUCTION, AND MATERIAL QUESTIONS1. Are printed hard proofs included in each quote?Yes! For Digital Offset projects, we include one hard proof on the final paper for you to review. For Offset projects, we include 10 Epson proofs for color matching, and provide “blue lines”/plotter proofs (which are not on final paper) for layout and review confirmation. For all other print options, it is best to discuss the proofing process with us directly.2. Will the hard proof be on the final paper?Yes, if your project is printed Digital Offset. No, if your project is printed Offset. (See above question). All other print options should be discussed with us directly3. Can you proof our project if we are working with another printer for final production? We recommend working with your printer or someone they recommend, so that the correct color profiles are being used for your project and their requirements.4. What finishing options are available?The possibilities are endless! Feel free to send us reference images with your ideal budget range, so we can help you work towards your dream finishes. A couple of our favorites are foil stamping/debossing, fore-edge painting, and custom ribbon inserts!5. What print options are available?We have long standing relationships with print partners in both the US and Europe. Standard print options are Offset and Digital Offset, and we can recommend the best option based on your book size, run size, and budget. Additionally we are able to facilitate letterpress, risograph, fine art inkjet, screen printing, and laser printing.6. What binding options are available?Again, the possibilities are endless! Standard projects are typically Perfect Bound or Smyth-Sewn. For perfect binding we work exclusively with a coldset PUR. A couple of other favorite binding options are pamphlet stitch, Japanese stab binding, and Swiss sewn with a drop spine. Special binding methods tend to work better for different run sizes and budget ranges, and we’re happy to discuss this further with you.7. What papers are available?The two main categories are Coated and Uncoated papers. Coated options are available in Glossy, Silk, or Matte; Uncoated is available in Smooth or Matte. (*Note: The weight, finishes, and brands available to you are dependent on the printing method used for your particular project.) We work with paper mills large and small, and are happy to recommend a few options that best suit your project!8. What cover materials are available?For softcovers, we recommend printing on cover weight paper or foil stamping a variety of cover stocks not suited for printing. For hardcovers, we regularly work with leather, cover cloth, simulated leather, and printed paper wraps. For all printed cover material, we recommend laminating the cover to prevent the ink from scratching off. Lamination options include: Matte, Soft Touch Matte, Gloss, and Silk. Please reach out to us with more specific material questions.9. What environmentally friendly options are available?While there are recycled paper options available, we don’t always recommend printing on them! The environmental impact of specially sourcing internal paper options sometimes outweighs the benefit of using recycled options. With that said, we are informed on the options available, and happy to discuss them with you! There are many exciting options available for cover stocks such as paper produced in hydro powered mills or paper made from recycled disposable paper coffee cups.10. What does Small Editions check for in prepress?Our top priority is to check that all of your images are printing at the correct resolution and that the color profiling will fall in the desired range. We will call out any concerns we have about file formatting from colorspace to general formatting.11. What should I (the client) be checking for in the prepress pdfs?Please check the text/copy of the book closely! It is important to catch all spelling and copy errors before moving to the hard proof stage. It is also important to check for layout, color, and formatting concerns at this point. It is much more difficult and costly to correct problems in the hard proof stage, so please bring any concerns to us before approving! This is the stage to catch any major/minor file errors!12. When/why do fees apply for changing the file post prepress pdf review?Once you approve the prepress pdfs, we immediately start the process of producing your project. Steps such as imposition, ordering materials, and plate production are timely/costly steps that will affect how we navigate correcting the file change and the fees involved. We do our best to make sure that everything is clear and you’re happy with everything before starting production. SHIPPING TERMS AND CONDITIONS GENERAL SHIPPING INFORMATIONWe ship worldwide using USPS and UPS.Small Editions will not be responsible for packages once they leave our studio. Lost or damaged packages must be filed as a dispute with the carrier. We recommend selecting UPS for all international orders.We take great care of our products and packaging to prevent all damage to the final product. Any damages during transit must be formally filed with the delivery company. We are not responsible for any delays caused by the carrier and will not process any refunds for late deliveries.All orders require at least 7 business days to be fulfilled.INTERNATIONAL ORDERS We recommend selecting UPS for all international orders. International customers may also be charged additional customs, duties, and import fees upon entry into the country, depending on the country's policies. These are the buyer's responsibility and cannot be estimated by Small Editions, so please consider this when placing international orders.RETURNS AND EXCHANGES These are often hand-bound publications — hand-collated, hand-stamped, and hand-assembled in our studio. They are irregular by nature. Small Editions does not offer returns or exchanges. https://smalleditions.nyc/PAPER-INK-WORKSHOP Tue, 20 Feb 2024 19:16:35 +0000 Small Editions https://smalleditions.nyc/PAPER-INK-WORKSHOP <img src="https://files.cargocollective.com/c1171819/logo.png"> Design Studio Publishing House Workshops About Cart Search &nbsp; <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/65e2add36385356aedf01fc720b1e336852b01f01cdde2dcdebc85b516326587/website_post.jpg" data-mid="205068545" border="0" src="https://freight.cargo.site/w/1000/i/65e2add36385356aedf01fc720b1e336852b01f01cdde2dcdebc85b516326587/website_post.jpg" /> PAPER + INK: PAPER AS MATERIAL AND METAPHOR$450&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; with Isobel Chiang and Hannah Pierce&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Paper is a crucial part of a book maker’s craft. Using paper in interesting and thoughtful ways requires not only material sensitivity, but a deep knowledge of how paper is made, distributed, printed on, and bound together. “Paper + Ink: Paper as Material and Metaphor” is a 3 day workshop that focuses on paper within the context of book making, exploring the relationship between paper, printing, and binding.&nbsp; Click here for the full class syllabus. This is an in-person workshop located at Small Editions’ studio in Brooklyn, NY, with a maximum of 12 participants. We think it’s most suitable for graphic designers, book makers, and folks working in print/book publishing, but any and all are welcome.&nbsp;This class is both theoretical and practical in nature: you’ll leave with a high-level understanding of paper and print production, as well as a game plan for how to implement this knowledge in future book projects. The cost of this workshop is $450. Tuition includes a custom take-home swatch book, which students will use and refer to throughout the workshop, and which can be used as a tool for their practice moving forward. SCHOLARSHIP INFORMATIONSmall Editions is offering a limited number of scholarship seats in this course for BIPOC folks who face systemic barriers to acessing creative education and resources. More information and application form can be found HERE.Applicants must fill out and submit the following form by Sunday, October 18th, 2024 by 11:59 EST in order to be considered for financial assistance. Applicants will be notified by October 20th, 2024 regarding whether or not the application has been approved. REFUND POLICYIf you cancel the class before October 19th, your full tuition will be refunded. If you cancel after October 19th or drop out of a class in progress, the full tuition paid will no longer be refundable. DATES Saturday November 2, 12:00 – 4:00 EST Saturday November 9, 12:00 – 4:30 EST&nbsp; Saturday November 16, 12:00 – 4:00 EST LOCATION Small Editions 20 Grand Ave, #502&nbsp; Brooklyn, NY&nbsp; © Small Editions 2025 Privacy Newsletter Contact FAQ Credits REQUEST A QUOTE Name Phone Email Details Quantity: Page Size Page Count Color Material Budget Timeline SEND REQUEST REQUEST SUBMITTED! SCHEDULE A CONSULTATION Lorem Ipsum SEARCH $(document).trigger("loadSearch"); Newsletter Subscribe Sign up with your email address to receive news and updates. First name Last name Email address Subscribe Thank you for subscribing! Design Studio Publishing House Workshops About Search Newsletter https://smalleditions.nyc/Intro-to-Foil-Stamping Mon, 26 Aug 2024 21:27:08 +0000 Small Editions https://smalleditions.nyc/Intro-to-Foil-Stamping <img src="https://files.cargocollective.com/c1171819/logo.png"> Design Studio Publishing House Workshops About Cart Search <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart <img width="1020" height="680" width_o="1020" height_o="680" data-src="https://freight.cargo.site/t/original/i/3018cd1fdb3d720f441508bd8a8fb8cc0bb1c0852ba6951d3e10539d8102c3f4/foiljuly19.jpg" data-mid="234226421" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/3018cd1fdb3d720f441508bd8a8fb8cc0bb1c0852ba6951d3e10539d8102c3f4/foiljuly19.jpg" /> INTRO TO FOIL STAMPING$115&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; WORKSHOP&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Hot foil stamping is a finishing process used for many book projects, typically as a cover treatment. Foil stamping uses a die (usually magnesium) and colored foil with an adhesive backing. “Intro to Foil Stamping” is an in-person workshop at Small Editions’ studio that will teach students how to set up and execute foil stamping projects. Students will gain hands-on experience stamping with our Kensol and KwikPrint machines. We’ll try out different foil types and paper substrates, all the while troubleshooting common foil-stamping problems. The workshop has a maximum of 8 participants. We think it’s most suitable for graphic designers, book makers, and folks working in print/book publishing, but any and all are welcome. The cost of this workshop is $115. Tuition includes ten spiral-bound notebooks stamped with your own custom magnesium die (which can be used for future projects). Please note prior knowledge of the Adobe Creative Suite is highly recommended if you’d like to create a custom magnesium die. Registration before July 12th is required for all participants wishing to make dies. Files must be received by July 14th in order to make dies in time for class.&nbsp; SCHOLARSHIP INFORMATIONSmall Editions is offering a limited number of scholarship seats in this course for folks who face systemic barriers to acessing creative education and resources. More information and application form can be found HERE.Applicants must fill out and submit the following form by July 9th, 2024 by 11:59 EST in order to be considered for financial assistance. Applicants will be notified by July 12th, 2024 regarding whether or not the application has been approved. REFUND POLICYIf you cancel the class before July 12th, your full tuition will be refunded, less 3% transaction fees. If you cancel after July 12th or drop out of a class in progress, the full tuition paid will no longer be refundable. DATE Saturday July 19th, 12:00 – 4:00 EST LOCATION Small Editions 20 Grand Ave, #502&nbsp; Brooklyn, NY&nbsp; Small Editions is a design studio based in occupied Lenapehoking (Brooklyn, New York). We offer services in graphic design, print consulting, and limited edition book binding. We also run an independent publishing imprint, where we collaborate with artists on several projects annually. © Small Editions 2025 Privacy Newsletter Contact FAQ Credits FREQUENTLY ASKED QUESTIONSGENERAL INQUIRIES1. What is the minimum run size?There is no minimum run size! We typically produce projects with run sizes in the 1-2000 unit range, and recommend that all offset printed projects are an edition size of 300 or above.2. What is the typical lead time?There are many variables that will affect your project's lead time. Our current minimum lead time for any project is 6 weeks, and we charge rush fees to make sure firm deadlines are met. We generally recommend planning 8-10 weeks for production of standard digital offset projects, and 3-6 months for standard offset projects. All other projects are subject to the availability of the bindery calendar.3. I’m not sure where to start with my project, and don’t know my project specifications yet — what is the best way to start a conversation?We offer consulting services on specialized projects to help guide you through the process. Some of the questions we recommend considering before your consultation is: Which details are most important for your project? Are you set on any particular materials, dimensions, or run sizes? What is the overall budget goal for this project? If you don’t have an overall budget, then what is your goal for the individual ‘per book’ price?4. Do you accept restoration projects?Unfortunately, we are unable to facilitate restoration or conservation projects at this time.5. Why is the ‘per book’ price higher on smaller run sizes?Since all of our projects are custom-made, there are initial project set up costs for each project. The ‘per book’ price drops as these costs are spread out across the run. Therefore, it will always be cheaper to do a larger edition of a project once, than to produce two smaller runs of the same project.6. Why does Small Editions ask for our ideal budget from the start?Starting out by discussing your ideal budget for the project allows us to make the best recommendations for your particular project! We want to help you make the most of your budget, and are happy to provide guidance on materials, binding methods, print methods, and finishing details that complement your design goals.7. Can I get samples from you?Since all of our projects are custom-made, we will create a sample card with curated options for your particular project. Sample cards are $15 each. We’ll be offering general sample books for sale soon.8. Can I stop by the studio or schedule an in-person meeting?At this time we are still limiting in person meetings in order to protect our team. You’re welcome to schedule a virtual consultation here.9. Once my project is ready, where can I collect them or have them shipped from?All projects can be collected from the studio located at 20 Grand Ave. #502 Brooklyn, NY 11205. All final shipping costs will be calculated from this location as well.10. What is the difference between your publishing and production programs?Our publishing program is not currently accepting applications. If you’d like to work with us, we recommend that you work with us through our production program.11. Where do I find more information about your publishing program?If you’d like to see the incredible artists we’ve worked with in the past, we recommend checking out our publishing page!PRE-PRESS, PRODUCTION, AND MATERIAL QUESTIONS1. Are printed hard proofs included in each quote?Yes! For Digital Offset projects, we include one hard proof on the final paper for you to review. For Offset projects, we include 10 Epson proofs for color matching, and provide “blue lines”/plotter proofs (which are not on final paper) for layout and review confirmation. For all other print options, it is best to discuss the proofing process with us directly.2. Will the hard proof be on the final paper?Yes, if your project is printed Digital Offset. No, if your project is printed Offset. (See above question). All other print options should be discussed with us directly3. Can you proof our project if we are working with another printer for final production? We recommend working with your printer or someone they recommend, so that the correct color profiles are being used for your project and their requirements.4. What finishing options are available?The possibilities are endless! Feel free to send us reference images with your ideal budget range, so we can help you work towards your dream finishes. A couple of our favorites are foil stamping/debossing, fore-edge painting, and custom ribbon inserts!5. What print options are available?We have long standing relationships with print partners in both the US and Europe. Standard print options are Offset and Digital Offset, and we can recommend the best option based on your book size, run size, and budget. Additionally we are able to facilitate letterpress, risograph, fine art inkjet, screen printing, and laser printing.6. What binding options are available?Again, the possibilities are endless! Standard projects are typically Perfect Bound or Smyth-Sewn. For perfect binding we work exclusively with a coldset PUR. A couple of other favorite binding options are pamphlet stitch, Japanese stab binding, and Swiss sewn with a drop spine. Special binding methods tend to work better for different run sizes and budget ranges, and we’re happy to discuss this further with you.7. What papers are available?The two main categories are Coated and Uncoated papers. Coated options are available in Glossy, Silk, or Matte; Uncoated is available in Smooth or Matte. (*Note: The weight, finishes, and brands available to you are dependent on the printing method used for your particular project.) We work with paper mills large and small, and are happy to recommend a few options that best suit your project!8. What cover materials are available?For softcovers, we recommend printing on cover weight paper or foil stamping a variety of cover stocks not suited for printing. For hardcovers, we regularly work with leather, cover cloth, simulated leather, and printed paper wraps. For all printed cover material, we recommend laminating the cover to prevent the ink from scratching off. Lamination options include: Matte, Soft Touch Matte, Gloss, and Silk. Please reach out to us with more specific material questions.9. What environmentally friendly options are available?While there are recycled paper options available, we don’t always recommend printing on them! The environmental impact of specially sourcing internal paper options sometimes outweighs the benefit of using recycled options. With that said, we are informed on the options available, and happy to discuss them with you! There are many exciting options available for cover stocks such as paper produced in hydro powered mills or paper made from recycled disposable paper coffee cups.10. What does Small Editions check for in prepress?Our top priority is to check that all of your images are printing at the correct resolution and that the color profiling will fall in the desired range. We will call out any concerns we have about file formatting from colorspace to general formatting.11. What should I (the client) be checking for in the prepress pdfs?Please check the text/copy of the book closely! It is important to catch all spelling and copy errors before moving to the hard proof stage. It is also important to check for layout, color, and formatting concerns at this point. It is much more difficult and costly to correct problems in the hard proof stage, so please bring any concerns to us before approving! This is the stage to catch any major/minor file errors!12. When/why do fees apply for changing the file post prepress pdf review?Once you approve the prepress pdfs, we immediately start the process of producing your project. Steps such as imposition, ordering materials, and plate production are timely/costly steps that will affect how we navigate correcting the file change and the fees involved. We do our best to make sure that everything is clear and you’re happy with everything before starting production. REQUEST A QUOTE Name Phone Email Details Quantity: Page Size Page Count Color Material Budget Timeline SEND REQUEST REQUEST SUBMITTED! SCHEDULE A CONSULTATION Lorem Ipsum SEARCH $(document).trigger("loadSearch"); Newsletter Subscribe Sign up with your email address to receive news and updates. First name Last name Email address Subscribe Thank you for subscribing! CONTACT projects@smalleditions.nyc T. 718 422-1304 20 Grand Avenue, #502 Brooklyn, NY 11205 We’re open 10am-6pm Monday through Friday, but studio visits are by appointment only. @ https://smalleditions.nyc/ROSY-CRIMSON-1 Fri, 22 Jul 2022 14:40:23 +0000 Small Editions https://smalleditions.nyc/ROSY-CRIMSON-1 <img src="https://files.cargocollective.com/c1171819/logo.png"> Design Studio Publishing House Workshops About Cart Search <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart ROSY-CRIMSON$38&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Kim Hoeckele Kim Hoeckele’s book Rosy-Crimson brings her script of the same name together with photographs made in response. Assembled from text taken from Homer’s epic The Odyssey, Hoeckele’s script erases its titular character, Odysseus, replacing him with the minor goddess dawn. After compiling the revisionist script, Hoeckele constructed a collection of photographs in dialog with the text. Rosy-Crimson brings both together in an experimental binding.The phrase “dawn’s rosy fingers” recurs throughout The Odyssey over 20 times as a mnemonic device to aid an orator in retelling the epic poem. Hoeckele appropriated every iteration of this phrase and mention of dawn across thirteen English translations of The Odyssey to create the non-narrative script for Rosy-Crimson. Since 2016, Rosy-Crimson has been performed in galleries, in a museum, and most recently, outdoors at sunset. These variations in venue, as well as rotations of cast, are in themselves translations, drastically altering what is conveyed through each performance.The photographs in Rosy-Crimson act as another form of translation. Reinterpreting one image of sunset taken over the Mediterranean Sea, Hoeckele created a collection of 28 photographs that refer to cycles in time in The Odyssey. Taken together, Rosy-Crimson questions the powerful and subjective role of the translator: Whose stories get told and whose stories are shifted to the margins?Includes an essay written by Wendy Vogel. Production Details&nbsp;5.5 × 8 inBook 1: 60 pages, Book 2: 48 pagesSoftcoverDos à Dos Wire-O boundCover Material: Colorplan 350gsm, ClaretCover Details: foil stamping on front/back cover4/4 digital offset ColophonEdition of 100Designed by Kim HoeckeleBound by Annie Hillam2022 <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/28d191c11950ff10803acf4ea99f15e72f1a9f75b5ceb30e15033b66fc7abfe0/Rosy-Crimson-1.jpeg" data-mid="148521130" border="0" alt="1/6" data-caption="1/6" src="https://freight.cargo.site/w/1000/i/28d191c11950ff10803acf4ea99f15e72f1a9f75b5ceb30e15033b66fc7abfe0/Rosy-Crimson-1.jpeg" /> <img width="2300" height="1533" width_o="2300" height_o="1533" data-src="https://freight.cargo.site/t/original/i/fa83519e8318378eb8960cdd8e6e78d2a13d86aa0857c0180734790f2d190563/Rosy-Crimson-2.jpg" data-mid="148521150" border="0" alt="2/6" data-caption="2/6" src="https://freight.cargo.site/w/1000/i/fa83519e8318378eb8960cdd8e6e78d2a13d86aa0857c0180734790f2d190563/Rosy-Crimson-2.jpg" /> <img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/a1b2fb7a5d949f2fd98827580fca2c3709458eeae4f0c33a7bb0bbd373aeddc2/Rosy-Crimson-3.jpeg" data-mid="148521131" border="0" alt="3/6" data-caption="3/6" src="https://freight.cargo.site/w/1000/i/a1b2fb7a5d949f2fd98827580fca2c3709458eeae4f0c33a7bb0bbd373aeddc2/Rosy-Crimson-3.jpeg" /> <img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/310c51290b37b83d62fa7ba7827112e451852d9a23668a68a096f4167b7d9e9a/Rosy-Crimson-4.jpg" data-mid="148521151" border="0" alt="4/6" data-caption="4/6" src="https://freight.cargo.site/w/1000/i/310c51290b37b83d62fa7ba7827112e451852d9a23668a68a096f4167b7d9e9a/Rosy-Crimson-4.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/a55a5b6b6716d7f17ddb3001d18f7c698479c7a8e48912654d653eba183adbed/Rosy-Crimson-5.jpg" data-mid="148521153" border="0" alt="5/6" data-caption="5/6" src="https://freight.cargo.site/w/1000/i/a55a5b6b6716d7f17ddb3001d18f7c698479c7a8e48912654d653eba183adbed/Rosy-Crimson-5.jpg" /> <img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/83d5d797e772df1641cb504fdd2c06322d50d4e7c9bd98007cdff92a332f13e6/Rosy-Crimson-6.jpg" data-mid="148521154" border="0" alt="6/6" data-caption="6/6" src="https://freight.cargo.site/w/1000/i/83d5d797e772df1641cb504fdd2c06322d50d4e7c9bd98007cdff92a332f13e6/Rosy-Crimson-6.jpg" /> © Small Editions 2025 Privacy Newsletter Contact FAQ Credits REQUEST A QUOTE Name Phone Email Details Quantity: Page Size Page Count Color Material Budget Timeline SEND REQUEST REQUEST SUBMITTED! SCHEDULE A CONSULTATION Lorem Ipsum SEARCH $(document).trigger("loadSearch"); Newsletter Subscribe Sign up with your email address to receive news and updates. First name Last name Email address Subscribe Thank you for subscribing! Design Studio Publishing House Workshops About Search Newsletter https://smalleditions.nyc/DREAM-CABIN Mon, 19 Dec 2022 20:37:20 +0000 Small Editions https://smalleditions.nyc/DREAM-CABIN <img src="https://files.cargocollective.com/c1171819/logo.png"> Design Studio Publishing House Workshops About Cart Search <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart DREAMCABIN$40&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Imin Yeh Artist Statement:I had a month-long bout with postpartum insomnia, and my partner Paul Mullins gave me sage advice from his lifelong wrangle with sleeplessness. He said to try to imagine a place and build it in my mind. That place ended up being a lakeside a-frame cabin for the three of us. Lemmy’s sleep-trained now, so I’m building the house in 1:12 scale from the take-out and shipping boxes from our quarantine. I think about all the details and how to build it while going to sleep each night, and I work on it during her nap times. Since November 2020, Dreamcabin has been filled with artworks contributed by dozens of artists, often arriving completely by surprise in the mail. This book archives each contribution and it will take me a long time to catch up to the generosity and creativity of each of the contributors.This book is designed and laid out by Imin Yeh and is published through their imprint E.L.Hymns with support by Small Editions. This publication was made possible by a Creative Development Award from the Heinz Endowments, Pittsburgh PA. Production Details&nbsp;8 × 8 in150 pagesSoftcoverPUR perfect boundCover Material: Colorplan 350gsm, Forest Green Endsheets: Colorplan 135gsm, Forest Green Paper Inner: 80#T, Sappi Flo GlossCover Details: die-cut, foil stamp on cover and spine4/4 digital offset ColophonEdition of 525 Designed by Imin Yeh Photography by Jacquelyn Johnson Copy Editing by Leslie Gordon 2022 <img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/fc69ec053f3bfb0c68436e234e644af0a0c45462b9ddd0a3c347282b829a9b96/Dream-Cabin-1.jpg" data-mid="210984001" border="0" alt="1/4" data-caption="1/4" src="https://freight.cargo.site/w/1000/i/fc69ec053f3bfb0c68436e234e644af0a0c45462b9ddd0a3c347282b829a9b96/Dream-Cabin-1.jpg" /> <img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/9f0858179b22c9bdab7fc4909b0eff82cf81197930d3f4546a1393a956ae0fbb/Dream-Cabin-2.jpg" data-mid="210984003" border="0" alt="2/4" data-caption="2/4" src="https://freight.cargo.site/w/1000/i/9f0858179b22c9bdab7fc4909b0eff82cf81197930d3f4546a1393a956ae0fbb/Dream-Cabin-2.jpg" /> <img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/c9b1c8c581561149e88cb47dd10a48243f55990c27eb018a09c9632b7e0738f0/Dream-Cabin-3.jpg" data-mid="210984004" border="0" alt="3/4" data-caption="3/4" src="https://freight.cargo.site/w/1000/i/c9b1c8c581561149e88cb47dd10a48243f55990c27eb018a09c9632b7e0738f0/Dream-Cabin-3.jpg" /> <img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/047b1807b2243a05fc3f95e202c1a26e318a5eceed2e11a95b8c5c56af203b80/Dream-Cabin-4.jpg" data-mid="210984005" border="0" alt="4/4" data-caption="4/4" src="https://freight.cargo.site/w/1000/i/047b1807b2243a05fc3f95e202c1a26e318a5eceed2e11a95b8c5c56af203b80/Dream-Cabin-4.jpg" /> © Small Editions 2025 Privacy Newsletter Contact FAQ Credits REQUEST A QUOTE Name Phone Email Details Quantity: Page Size Page Count Color Material Budget Timeline SEND REQUEST REQUEST SUBMITTED! SCHEDULE A CONSULTATION Lorem Ipsum SEARCH $(document).trigger("loadSearch"); Newsletter Subscribe Sign up with your email address to receive news and updates. First name Last name Email address Subscribe Thank you for subscribing! Design Studio Publishing House Workshops About Search Newsletter https://smalleditions.nyc/Book-Studio-Product-Page Wed, 27 Oct 2021 01:24:44 +0000 Small Editions https://smalleditions.nyc/Book-Studio-Product-Page <img src="https://files.cargocollective.com/c1171819/logo.png"> Design StudioPublishing House Workshops About Cart Search <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart ALL I WANTED WAS TO GET INTO HEAVEN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Gi (Ginny) Huo&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 2021 Read More Next Project ALL I WANTED WAS TO GET INTO HEAVEN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Gi (Ginny) Huo&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 2021 all i wanted was to get into heaven is a multi-sensorial book object that examines the complexities of a spiritual journey and its exodus. Combining archived family images, Mormon iconography, photographs from religious sites, and text from her own personal history, Gi (Ginny) Huo reimagines the past and present landscapes of being Mormon in Utah to navigate the traumatic legacies of religious systems. First-person, diaristic entries floating among clouds are punctuated by silver glitter sheets, Bible verses, and a stop-motion flip book, creating portals into peculiar spaces. These alternative topographies traverse nature’s multiple perspectives and dimensionality, rebuilding from the ruins of colonized myths to offer a threshold that leads to reconciliation and healing. Upon completion of reading the book, viewers are encouraged to press play on a music box holding a recording of Huo’s instrumental rendition of “I Need Thee Every Hour.”View the Book Launch and Artist Book Talk at Printed Matter’s 2021 Art Book Fair here. Production Details.&nbsp;11.5 × 17.5 in132 pagesScrew-post bound book housed in pearlescent acrylic box with rechargeable mp3 playerPaper usedCover materialsFoil stamped ColophonDesigned by Lorem IpsumEdited by Aiundi DolorPublished by Small EditionsEdition of 12 + 2AP <img width="702" height="446" width_o="702" height_o="446" data-src="https://freight.cargo.site/t/original/i/9ae4ba0c9d9d3848e1f696f3f73736e80ca3a809172b368aeb2325fe54cbbe3e/Screen-Shot-2021-09-18-at-3.53.31-PM.png" data-mid="122779585" border="0" src="https://freight.cargo.site/w/702/i/9ae4ba0c9d9d3848e1f696f3f73736e80ca3a809172b368aeb2325fe54cbbe3e/Screen-Shot-2021-09-18-at-3.53.31-PM.png" /> <img width="1122" height="770" width_o="1122" height_o="770" data-src="https://freight.cargo.site/t/original/i/dcaf8cdff0cb8b871946b42664264618ef167313a1e6ca3878b4860c17d7cedb/Screen-Shot-2021-09-18-at-3.53.25-PM.png" data-mid="122779584" border="0" src="https://freight.cargo.site/w/1000/i/dcaf8cdff0cb8b871946b42664264618ef167313a1e6ca3878b4860c17d7cedb/Screen-Shot-2021-09-18-at-3.53.25-PM.png" /> <img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/1dea26c7b518542b4abcb0ee0703634e60ce792b98309475982f4073c14b0e60/placeholder.jpg" data-mid="224068615" border="0" src="https://freight.cargo.site/w/768/i/1dea26c7b518542b4abcb0ee0703634e60ce792b98309475982f4073c14b0e60/placeholder.jpg" /> <img width="664" height="428" width_o="664" height_o="428" data-src="https://freight.cargo.site/t/original/i/8277e952c81ecdffaf9e7d1bc2417abd05bedf92518a4b06dcba964c5872fdc9/Screen-Shot-2021-09-18-at-3.53.36-PM.png" data-mid="122779587" border="0" src="https://freight.cargo.site/w/664/i/8277e952c81ecdffaf9e7d1bc2417abd05bedf92518a4b06dcba964c5872fdc9/Screen-Shot-2021-09-18-at-3.53.36-PM.png" /> <img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/1dea26c7b518542b4abcb0ee0703634e60ce792b98309475982f4073c14b0e60/placeholder.jpg" data-mid="224068615" border="0" src="https://freight.cargo.site/w/768/i/1dea26c7b518542b4abcb0ee0703634e60ce792b98309475982f4073c14b0e60/placeholder.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/916dc08802441772e611ce9cc15559d4a42fca3c2e2dbb11ba2fd9dd8e8cdc16/IMG_6677.jpg" data-mid="224068621" border="0" src="https://freight.cargo.site/w/1000/i/916dc08802441772e611ce9cc15559d4a42fca3c2e2dbb11ba2fd9dd8e8cdc16/IMG_6677.jpg" /> <img width="3500" height="2334" width_o="3500" height_o="2334" data-src="https://freight.cargo.site/t/original/i/4c0dc6bff243a12b0d641aafcafa6f1d8eb3cf99736a58bb91198c765eb3d32e/DarkroomDrawing_1.jpg" data-mid="122779588" border="0" src="https://freight.cargo.site/w/1000/i/4c0dc6bff243a12b0d641aafcafa6f1d8eb3cf99736a58bb91198c765eb3d32e/DarkroomDrawing_1.jpg" /> <img width="712" height="452" width_o="712" height_o="452" data-src="https://freight.cargo.site/t/original/i/283fa246713be135066b8f8fa2cbfeda1371c57b0addaf99df18ae46a987fc9e/Screen-Shot-2021-09-18-at-3.53.33-PM.png" data-mid="122779586" border="0" src="https://freight.cargo.site/w/712/i/283fa246713be135066b8f8fa2cbfeda1371c57b0addaf99df18ae46a987fc9e/Screen-Shot-2021-09-18-at-3.53.33-PM.png" /> © Small Editions 2025 Privacy Newsletter Contact FAQ Credits REQUEST A QUOTE Name Phone Email Details Quantity: Page Size Page Count Color Material Budget Timeline SEND REQUEST REQUEST SUBMITTED! 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Design Studio Publishing House Workshops About Search Newsletter https://smalleditions.nyc/RHEA-KARAM-STUDIO Tue, 14 Jan 2025 21:38:02 +0000 Small Editions https://smalleditions.nyc/RHEA-KARAM-STUDIO <img src="https://files.cargocollective.com/c1171819/logo.png"> Design StudioPublishing House Workshops About Cart Search <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart RHEA KARAM STUDIOBrand Identity, Website, Print Collateral www.rheakaram.com&nbsp; &nbsp;Next Project ALL I WANTED WAS TO GET INTO HEAVEN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Gi (Ginny) Huo&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 2021 all i wanted was to get into heaven is a multi-sensorial book object that examines the complexities of a spiritual journey and its exodus. Combining archived family images, Mormon iconography, photographs from religious sites, and text from her own personal history, Gi (Ginny) Huo reimagines the past and present landscapes of being Mormon in Utah to navigate the traumatic legacies of religious systems. First-person, diaristic entries floating among clouds are punctuated by silver glitter sheets, Bible verses, and a stop-motion flip book, creating portals into peculiar spaces. These alternative topographies traverse nature’s multiple perspectives and dimensionality, rebuilding from the ruins of colonized myths to offer a threshold that leads to reconciliation and healing. Upon completion of reading the book, viewers are encouraged to press play on a music box holding a recording of Huo’s instrumental rendition of “I Need Thee Every Hour.”View the Book Launch and Artist Book Talk at Printed Matter’s 2021 Art Book Fair here. Production Details.&nbsp;11.5 × 17.5 in132 pagesScrew-post bound book housed in pearlescent acrylic box with rechargeable mp3 playerPaper usedCover materialsFoil stamped ColophonDesigned by Lorem IpsumEdited by Aiundi DolorPublished by Small EditionsEdition of 12 + 2AP <img width="4536" height="2560" width_o="4536" height_o="2560" data-src="https://freight.cargo.site/t/original/i/58c3b681f64e0d018fe7de7c001a67024ae4abbe8fe3fdaa6576d91f43b6b1f0/RheaKaram__0000_envelope1.jpg" data-mid="224758937" border="0" src="https://freight.cargo.site/w/1000/i/58c3b681f64e0d018fe7de7c001a67024ae4abbe8fe3fdaa6576d91f43b6b1f0/RheaKaram__0000_envelope1.jpg" /><img width="4536" height="2560" width_o="4536" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e8cf8c8a337a9ceaa458dd98d494c709ccb57e969d13207bb08077c6db773186/RheaKaram__0002_biz-card-1.jpg" data-mid="224759076" border="0" 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We offer services in graphic design, print consulting, and limited edition book binding. We also run an independent publishing imprint, where we collaborate with artists on several projects annually. © Small Editions 2025 Privacy Newsletter Contact FAQ Credits FREQUENTLY ASKED QUESTIONSGENERAL INQUIRIES1. What is the minimum run size?There is no minimum run size! We typically produce projects with run sizes in the 1-2000 unit range, and recommend that all offset printed projects are an edition size of 300 or above.2. What is the typical lead time?There are many variables that will affect your project's lead time. Our current minimum lead time for any project is 6 weeks, and we charge rush fees to make sure firm deadlines are met. We generally recommend planning 8-10 weeks for production of standard digital offset projects, and 3-6 months for standard offset projects. All other projects are subject to the availability of the bindery calendar.3. I’m not sure where to start with my project, and don’t know my project specifications yet — what is the best way to start a conversation?We offer consulting services on specialized projects to help guide you through the process. Some of the questions we recommend considering before your consultation is: Which details are most important for your project? Are you set on any particular materials, dimensions, or run sizes? What is the overall budget goal for this project? If you don’t have an overall budget, then what is your goal for the individual ‘per book’ price?4. Do you accept restoration projects?Unfortunately, we are unable to facilitate restoration or conservation projects at this time.5. Why is the ‘per book’ price higher on smaller run sizes?Since all of our projects are custom-made, there are initial project set up costs for each project. The ‘per book’ price drops as these costs are spread out across the run. Therefore, it will always be cheaper to do a larger edition of a project once, than to produce two smaller runs of the same project.6. Why does Small Editions ask for our ideal budget from the start?Starting out by discussing your ideal budget for the project allows us to make the best recommendations for your particular project! We want to help you make the most of your budget, and are happy to provide guidance on materials, binding methods, print methods, and finishing details that complement your design goals.7. Can I get samples from you?Since all of our projects are custom-made, we will create a sample card with curated options for your particular project. Sample cards are $15 each. We’ll be offering general sample books for sale soon.8. Can I stop by the studio or schedule an in-person meeting?At this time we are still limiting in person meetings in order to protect our team. You’re welcome to schedule a virtual consultation here.9. Once my project is ready, where can I collect them or have them shipped from?All projects can be collected from the studio located at 20 Grand Ave. #502 Brooklyn, NY 11205. All final shipping costs will be calculated from this location as well.10. What is the difference between your publishing and production programs?Our publishing program is not currently accepting applications. If you’d like to work with us, we recommend that you work with us through our production program.11. Where do I find more information about your publishing program?If you’d like to see the incredible artists we’ve worked with in the past, we recommend checking out our publishing page!PRE-PRESS, PRODUCTION, AND MATERIAL QUESTIONS1. Are printed hard proofs included in each quote?Yes! For Digital Offset projects, we include one hard proof on the final paper for you to review. For Offset projects, we include 10 Epson proofs for color matching, and provide “blue lines”/plotter proofs (which are not on final paper) for layout and review confirmation. For all other print options, it is best to discuss the proofing process with us directly.2. Will the hard proof be on the final paper?Yes, if your project is printed Digital Offset. No, if your project is printed Offset. (See above question). All other print options should be discussed with us directly3. Can you proof our project if we are working with another printer for final production? We recommend working with your printer or someone they recommend, so that the correct color profiles are being used for your project and their requirements.4. What finishing options are available?The possibilities are endless! Feel free to send us reference images with your ideal budget range, so we can help you work towards your dream finishes. A couple of our favorites are foil stamping/debossing, fore-edge painting, and custom ribbon inserts!5. What print options are available?We have long standing relationships with print partners in both the US and Europe. Standard print options are Offset and Digital Offset, and we can recommend the best option based on your book size, run size, and budget. Additionally we are able to facilitate letterpress, risograph, fine art inkjet, screen printing, and laser printing.6. What binding options are available?Again, the possibilities are endless! Standard projects are typically Perfect Bound or Smyth-Sewn. For perfect binding we work exclusively with a coldset PUR. A couple of other favorite binding options are pamphlet stitch, Japanese stab binding, and Swiss sewn with a drop spine. Special binding methods tend to work better for different run sizes and budget ranges, and we’re happy to discuss this further with you.7. What papers are available?The two main categories are Coated and Uncoated papers. Coated options are available in Glossy, Silk, or Matte; Uncoated is available in Smooth or Matte. (*Note: The weight, finishes, and brands available to you are dependent on the printing method used for your particular project.) We work with paper mills large and small, and are happy to recommend a few options that best suit your project!8. What cover materials are available?For softcovers, we recommend printing on cover weight paper or foil stamping a variety of cover stocks not suited for printing. For hardcovers, we regularly work with leather, cover cloth, simulated leather, and printed paper wraps. For all printed cover material, we recommend laminating the cover to prevent the ink from scratching off. Lamination options include: Matte, Soft Touch Matte, Gloss, and Silk. Please reach out to us with more specific material questions.9. What environmentally friendly options are available?While there are recycled paper options available, we don’t always recommend printing on them! The environmental impact of specially sourcing internal paper options sometimes outweighs the benefit of using recycled options. With that said, we are informed on the options available, and happy to discuss them with you! There are many exciting options available for cover stocks such as paper produced in hydro powered mills or paper made from recycled disposable paper coffee cups.10. What does Small Editions check for in prepress?Our top priority is to check that all of your images are printing at the correct resolution and that the color profiling will fall in the desired range. We will call out any concerns we have about file formatting from colorspace to general formatting.11. What should I (the client) be checking for in the prepress pdfs?Please check the text/copy of the book closely! It is important to catch all spelling and copy errors before moving to the hard proof stage. It is also important to check for layout, color, and formatting concerns at this point. It is much more difficult and costly to correct problems in the hard proof stage, so please bring any concerns to us before approving! This is the stage to catch any major/minor file errors!12. When/why do fees apply for changing the file post prepress pdf review?Once you approve the prepress pdfs, we immediately start the process of producing your project. Steps such as imposition, ordering materials, and plate production are timely/costly steps that will affect how we navigate correcting the file change and the fees involved. We do our best to make sure that everything is clear and you’re happy with everything before starting production. REQUEST A QUOTE Name Phone Email Details Quantity: Page Size Page Count Color Material Budget Timeline SEND REQUEST REQUEST SUBMITTED! 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CONTACT projects@smalleditions.nyc T. 718 422-1304 20 Grand Avenue, #502 Brooklyn, NY 11205 We’re open 10am-6pm Monday through Friday, but studio visits are by appointment only. @ https://smalleditions.nyc/MAIA-CRUZ-PALILEO Mon, 02 Feb 2026 18:56:51 +0000 Small Editions https://smalleditions.nyc/MAIA-CRUZ-PALILEO <img src="https://files.cargocollective.com/c1171819/logo.png"> Design StudioPublishing House Workshops About Cart Search <img src="https://files.cargocollective.com/c1171819/logo.png"> Menu Cart MAIA CRUZ PALILEO Brand Identity, Website, Print Collateral maiacruzpalileo.com&nbsp; &nbsp;Next Project ALL I WANTED WAS TO GET INTO HEAVEN &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Gi (Ginny) Huo&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 2021 all i wanted was to get into heaven is a multi-sensorial book object that examines the complexities of a spiritual journey and its exodus. Combining archived family images, Mormon iconography, photographs from religious sites, and text from her own personal history, Gi (Ginny) Huo reimagines the past and present landscapes of being Mormon in Utah to navigate the traumatic legacies of religious systems. First-person, diaristic entries floating among clouds are punctuated by silver glitter sheets, Bible verses, and a stop-motion flip book, creating portals into peculiar spaces. These alternative topographies traverse nature’s multiple perspectives and dimensionality, rebuilding from the ruins of colonized myths to offer a threshold that leads to reconciliation and healing. Upon completion of reading the book, viewers are encouraged to press play on a music box holding a recording of Huo’s instrumental rendition of “I Need Thee Every Hour.”View the Book Launch and Artist Book Talk at Printed Matter’s 2021 Art Book Fair here. Production Details.&nbsp;11.5 × 17.5 in132 pagesScrew-post bound book housed in pearlescent acrylic box with rechargeable mp3 playerPaper usedCover materialsFoil stamped ColophonDesigned by Lorem IpsumEdited by Aiundi DolorPublished by Small EditionsEdition of 12 + 2AP <img width="5132" height="3420" width_o="5132" height_o="3420" data-src="https://freight.cargo.site/t/original/i/a77bc4922508e7d7bb32e12155567db3f1c0abde859565b2564cb9002bc56347/DSC_93233.jpg" data-mid="244333573" border="0" src="https://freight.cargo.site/w/1000/i/a77bc4922508e7d7bb32e12155567db3f1c0abde859565b2564cb9002bc56347/DSC_93233.jpg" /> <img width="1095" height="1643" width_o="1095" height_o="1643" data-src="https://freight.cargo.site/t/original/i/aed8a4e2dcfc354ab54cd339fb34067d1f727b3107534ccbca8d2935505e4940/vertical1.jpg" data-mid="244333794" border="0" src="https://freight.cargo.site/w/1000/i/aed8a4e2dcfc354ab54cd339fb34067d1f727b3107534ccbca8d2935505e4940/vertical1.jpg" /> <img width="3108" height="1718" width_o="3108" height_o="1718" data-src="https://freight.cargo.site/t/original/i/5bf37638c668d4301c06798f25aaf9d8e30883c71ef55c1aea603063461ec032/maiacruz_smalleditions_small_0000_7.jpg" data-mid="244333546" border="0" src="https://freight.cargo.site/w/1000/i/5bf37638c668d4301c06798f25aaf9d8e30883c71ef55c1aea603063461ec032/maiacruz_smalleditions_small_0000_7.jpg" /><img width="3108" height="1718" width_o="3108" height_o="1718" data-src="https://freight.cargo.site/t/original/i/a48954f4312ecb5fad421636e831c7534b6c180b52ef63154599707a04bdb8b1/maiacruz_smalleditions_small_0001_5.jpg" data-mid="244333547" border="0" src="https://freight.cargo.site/w/1000/i/a48954f4312ecb5fad421636e831c7534b6c180b52ef63154599707a04bdb8b1/maiacruz_smalleditions_small_0001_5.jpg" /><img width="3108" height="1718" width_o="3108" height_o="1718" data-src="https://freight.cargo.site/t/original/i/27668155c0176658974569b6e9b5b9ffe4d2226208bbf31aa07e5641f11da1d5/maiacruz_smalleditions_small_0002_2.jpg" data-mid="244333548" border="0" src="https://freight.cargo.site/w/1000/i/27668155c0176658974569b6e9b5b9ffe4d2226208bbf31aa07e5641f11da1d5/maiacruz_smalleditions_small_0002_2.jpg" /><img width="3108" height="1718" width_o="3108" height_o="1718" data-src="https://freight.cargo.site/t/original/i/2199285e151accdc9c67b5964057929498c8cec39c4d22b78b97159e3ee565af/maiacruz_smalleditions_small_0003_4.jpg" data-mid="244333549" border="0" src="https://freight.cargo.site/w/1000/i/2199285e151accdc9c67b5964057929498c8cec39c4d22b78b97159e3ee565af/maiacruz_smalleditions_small_0003_4.jpg" /><img width="3108" height="1718" width_o="3108" height_o="1718" data-src="https://freight.cargo.site/t/original/i/c06f48bd271906e0daba2249a97a3aa5770deda1f451e04ebad8b5a83839591b/maiacruz_smalleditions_small_0004_6.jpg" data-mid="244333550" border="0" src="https://freight.cargo.site/w/1000/i/c06f48bd271906e0daba2249a97a3aa5770deda1f451e04ebad8b5a83839591b/maiacruz_smalleditions_small_0004_6.jpg" /><img width="3108" height="1718" width_o="3108" height_o="1718" data-src="https://freight.cargo.site/t/original/i/b4b1d2dc898d99adeccfa4e42133a4503484894bea24d889ae2ccc5ac98632f9/maiacruz_smalleditions_small_0005_1.jpg" data-mid="244333551" border="0" src="https://freight.cargo.site/w/1000/i/b4b1d2dc898d99adeccfa4e42133a4503484894bea24d889ae2ccc5ac98632f9/maiacruz_smalleditions_small_0005_1.jpg" /><img width="3108" height="1718" width_o="3108" height_o="1718" data-src="https://freight.cargo.site/t/original/i/7e634911bdd423c93ecab5f704d448268acd91cc6a7a09014fed9e6c07315052/maiacruz_smalleditions_small_0006_3.jpg" data-mid="244333552" border="0" src="https://freight.cargo.site/w/1000/i/7e634911bdd423c93ecab5f704d448268acd91cc6a7a09014fed9e6c07315052/maiacruz_smalleditions_small_0006_3.jpg" /><img width="3108" height="1718" width_o="3108" height_o="1718" data-src="https://freight.cargo.site/t/original/i/ee5a8d70f97451b7bf965420cf9e4f1670a8ab71610190d16845f3599e355096/maiacruz_smalleditions_small_0007_cards.jpg" data-mid="244333553" border="0" src="https://freight.cargo.site/w/1000/i/ee5a8d70f97451b7bf965420cf9e4f1670a8ab71610190d16845f3599e355096/maiacruz_smalleditions_small_0007_cards.jpg" /> © Small Editions 2025 Privacy Newsletter Contact FAQ Credits REQUEST A QUOTE Name Phone Email Details Quantity: Page Size Page Count Color Material Budget Timeline SEND REQUEST REQUEST SUBMITTED! 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